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Title	:	The Real Thing
Author	:	Tom Stoppard
Book Format	:	Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 112 pages
Published	:	April 17th 2000 by Farrar, Straus and Giroux (first published 1982)
Categories	:	Plays. Drama. Fiction. Theatre

The Real Thing

Tom Stoppard

Paperback | Pages: 112 pages

Rating: 3.94 | 3765 Users | 163 Reviews

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The play begins with Max and Charlotte, a couple whose marriage seems about to rupture. But nothing one sees on a stage is the real thing, and some things are less real than others. Charlotte is an actress who has been appearing in a play about marriage by her husband, Henry. Max, her leading man, is also married to an actress, Annie. Both marriages are at the point of rupture because Henry and Annie have fallen in love. But is it the real thing?

In The Real Thing, Tom Stoppard combines his characteristically brilliant wordplay and wit with flashes of insight that illuminate the nature--and the mystery--of love, creating a multi-toned play that challenges the mind while searching out the innermost secrets of the heart.

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Original Title:	The Real Thing
ISBN:	0571125298 (ISBN13: 9780571125296)
Edition Language:	English
Characters:	Max, Charlotte, Henry, Annie, Billy, Debbie, Brodie
Setting:	United Kingdom

Rating Appertaining To Books The Real Thing

Ratings: 3.94 From 3765 Users | 163 Reviews

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Don't be fooled by the title; this isn't a play about Coke or Faith No More's best album (you watch; I'll get an argument on that last one) but rather a searching character piece about LOVE.To be more specific, it explores the nature of love and how it means different things to different people. It includes betrayal, devotion, sex, parental love and that old favourite, unrequited love.It also includes a brief exploration of highbrow and lowbrow art which, I suspect, is meant to draw a parallel

HENRY: I can't help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration hile building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech . . . Words don't deserve that kind of malarkey. THey're innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across

This play about fidelity and infidelity may be self serving, if Stoppard's private life is considered, but that doesn't stop it being sharp, clever, acid, insightful, witty, elegant, highly structured, and all the things that seem to be his hallmark.The structure is tricksy but so smoothly done as to be invisible without looking for it. Some of the diversions are brilliant - the cricket bat, though others less so - digital watches. Overall this is more accessible than other Stoppard plays in

taking a break between books to re-read this on the first warm day. I saw this produced as a play, with who? Roy Scheider doing a painful British Accent I'm googling around here... It says that Glen Close was in it but I seem to remember Blythe Danner. Jeremy Irons was the memorable one.Why it became really really important to track down my copy and stop most things to read it right-this-minute: I've been working on a new painting, and the idea is there but the composition is iffy. The painting

As per usual with Stoppard, surprisingly hilarious for something so thoughtful, and surprisingly thoughtful for something hilarious. The kind of theatre that seems to love the stage it plays on.

I'm not all that familiar with Stoppard's stuff (I saw and loved Arcadia a few years ago), but I'll certainly be reading more. The Real Thing is all about love, and it tackles it with an intelligence, wit, and depth that I've rarely come across. The titular "real thing" is hard to pin down; there are a couple of plays within this play and all the characters are professional actors/writers who are constantly mixing their profession with their personal lives by constantly acting. This doesn't make

Review: The Real Thing, Night and Day, Travesties by Tom Stoppard I recently hear a technically brilliant, world famous organist and composer play one of his more difficult works. As I expected, it was technically brilliant, and arid. It recalled many technically brilliant works for the piano written during, principally, the Romantic period: brilliant, but arid. Spoiler alert: if technical brilliance is your touchstone in valuing music and drama, skip this review. Henry : Or perhaps Id realize